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David Bentley Hart, The Doors of the Sea (Review) Part 1
"Although just 104 small format pages, there is much to admire in this book. This, my first foray into a David Bentley Hart book, was intended as some brief light reading in the midst of a busy semester programme. It took only a page or two to disabuse me of this assumption. Hart is a literary artist, a man of letters, exhibiting a breadth of knowledge encompassing diverse disciplines and several languages, writing with a beautiful, literary hand, all the while straining and extending not only the limits of my vocabulary but those of my theological vision as well.
The book had its origin days after the devastating Boxing Day Tsunami in the Indian Ocean, when Hart wrote a small piece entitled “Tremors of Doubt” for the Wall Street Journal on Friday December 31, 2004. A longer article appeared in First Things in March 2005, with this book coming to press shortly afterwards, born as it were, on account of the response his initial article generated. Hart wonders whether, in fact, he should have spoken at all; surely the most apt response to such devastation would have been to remain silent? (6, 92) Yet he does not:
I still find myself less perturbed by the sanctimonious condescension of many of those who do not believe than by either the gelid dispassion or the shapeless sentimentality of certain of those who do. (92)
Thus the book is both a reflection on the critical issues of God’s goodness and sovereignty in light of this catastrophe, and a polemic against what Hart considers to be defective views of these very same issues.." from the article: David Bentley Hart, The Doors of the Sea (Review) Part 1
David Bentley Hart, The Doors of the Sea – Part 2
Hart begins the second chapter with a meditation on nature, which in the West, at least, has been disenchanted. To some extent the church is responsible for this state of affairs since nature no longer can be deified. But the Enlightenment also has played a role, desacrilising nature, making it simply a “thing,” or a fact. For modern theists or deists, creation is that of an absent God; for atheists it is not creation at all, but an entirely natural system of cause and effect. For both camps, the idea of impersonal causation is central. “To put the matter starkly, nature is a cycle of sacrifice, and religion has often been no more than an attempt to reconcile us to this reality.”(52) But Hart rejects this view, seeing instead creation as imbued in every particle of its being with the glory, love and beauty of God.." from the article: David Bentley Hart, The Doors of the Sea – Part 2